The Brooklyn Rail 

Roxy Paine with Will Corwin

September 4, 2014

Will Corwin has spent the last three years ferreting out Roxy Paine in his various habitats— upstate in Delhi, New York, and in his Long Island City and Maspeth studios—watching the progress of various works of art and attempting to develop a taxonomy of the various strains and tropes into which his ideas fall. Together in numerous discussions the artist and his interlocutor have sifted through the strata of meaning that the artist has laid down over time. Paine’s works oscillate between the overwhelmingly familiar and the disarmingly foreign. On the one hand he presents things exactly as they are, and stands back to enjoy the inherent impossibility in a field of perfectly replicated Psilocybe cubensis mushrooms sprouting from a wooden gallery floor, while on the other hand he reconfigures the fundamental definitions of what we think we know and then conjures up objects—or even better—has robots make them in front of us—and labels them “painting” or “sculpture,” forcing the viewer to reconfigure their perception of what those things really are.




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